The Best Horror Movies On Netflix For Halloween
Last Updated: October 30th
There’s nothing better than bingeing some good scary movies on Netflix on a dark, stormy night. From ghosts to vampires and zombies just about every morbid fantasy that your demented mind can conjure has representation. We’ve watched the best horror movies on Netflix streaming right now, and here they are, in their beastly, blood-curdling glory. It’s perfect for that late night movie binge to keep you wide awake well past Halloween.
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It Comes At Night (2017)
Run Time: 86 min | IMDb: 7.4/10
Writer/director Trey Edward Shults followed up his unnerving family portrait in 2015’s Krisha with a look at another family under the most desperate of circumstances. After an unknown illness has wiped out most of civilization, a number of threats — both seen and unseen — come for a family held up in their home out in the wilderness. It’s a subtle, dream-like tale that stars Joel Edgerton and Christopher Abbot as two patriarchs intent on keeping their families safe, no matter the cost.
The Silence of The Lambs (1991)
Run Time: 118 min | IMDb: 8.6/10
Hannibal Lecter is one of horror’s most iconic characters, but it’s a testament to the creepiness of Anthony Hopkins in a leather muzzle that, no matter how many times the film gets quoted, hearing him tell Clarice Starling he’s having an old friend for dinner still sends chills up our spines. Jodie Foster plays the FBI agent tasked with catching another serial killer with Lecter’s same M.O. and she does it by striking up unnerving conversations with the guy, but Hopkins is the real star here, playing Lecter with a restrained insanity that makes his small talk of enjoying human liver with fava beans so much more nightmarish.
As Above So Below (2014)
Run Time: 93 min | IMDb: 6.2/10
Before Ben Feldman played a lovable know-it-all on Superstore, the guy was surviving a terror-filled jaunt through the catacombs of Paris in this horror movie. Feldman plays George, a reluctant sidekick to Scarlett (Perdita Weeks), a young alchemy scholar and his former girlfriend. Scarlett convinces George a few others to venture into the famous Paris underground in order to find the fabled philosopher’s stone (Harry Potter kids should know all about this thing, we’re not explaining it here). What they find instead is basically Dante’s Inferno come to life as they face down cults, demons, ghosts, and all manner of horrific beings. Let this be a warning, children: Nothing good happens this far below street level. Nothing.
The Perfection (2018)
Run Time: 90 min | IMDb: 6.1/10
Allison Williams, who’s become something of a scream queen after her work in Get Out, continues her horror track record with this thriller about a gifted musician who befriends the talented student who replaced her. Strange happenings begin to occur, events that sabotage the young girl, but as terrifying as this story is, there’s absolutely no way you’ll be able to predict its ending.
The Platform (2019)
Run Time: 94 min | IMDb: 7/10
This Spanish-language sci-fi flick is all kinds of f*cked up but in the best way. The film is set in a large, tower-style “Vertical Self-Management Center” where the residents, who are periodically switched at random between floors, are fed by a platform, initially filled with food, that gradually descends through the levels. Conflicts arise when inmates at the top begin eating all the food, leaving the people lower down to fight for survival.
Red Dragon (2002)
Universal
Run Time: 124 min | IMDb: 7.4/10
This 2002 prequel to Silence of the Lambs features everyone’s favorite cannibal – Hannibal Lector (Anthony Hopkins) – and a copy cat serial killer played by Ralph Fiennes. The film follows a detective named Will Graham (Edward Norton) who gets roped into solving a string of homicides that are committed by a killer known as The Tooth Fairy, a guy who eats his victims in the hopes of transforming himself. Fiennes is chilling in his portrayal of a psychopath whose childhood trauma causes him to target the innocent and Norton is the kind of hero you root for in weird, terrifying stories like these.
The Ritual (2017)
Run Time: 94 min | IMDb: 6.3/10
This Netflix nightmare follows a group of friends who venture into the Scandinavian wilderness in order to honor their recently-murdered brother. The guys, Luke (Rafe Spall), Phil (Arsher Ali), Hutch (Robert James-Collier), and Dom (Sam Troughton) are forced to take a different path from the one planned, a mistake that leads them to cults and sacrificial offerings and an ancient being who prefers to stake its prey. The scenery is gorgeous, the chemistry of the cast is spot on, and the premise — how these men confront their fears and failures thanks to a supernatural being — starts out promising, though it could’ve delivered a better ending.
Dark Skies (2013)
Run Time: 97 min | IMDb: 6.3/10
Keri Russell stars in this Blumhouse sci-fi horror flick about a happy suburban family terrorized by extraterrestrial beings. Russell plays Lacy, a mom to two boys, who begins to worry when strange occurrences start happening at home. The family discovers aliens have been paying them visits in an attempt to select one of the boys to abduct. Things just get weirder from there and while the plot sounds ridiculous on paper, there’s plenty of suspense here to rack up the tension.
The Girl With All The Gifts (2016)
Run Time: 111 min | IMDb: 6.6/10
Despite a cast that includes Gemma Arterton, Paddy Considine, and Glenn Close, this unusual, post-apocalyptic film got a bit overlooked during its brief theatrical release. It’s best enjoyed without knowing too much of the plot. Suffice it to say that Melanie (Sennia Nanua), the girl of the title, isn’t quite what she seems, and there’s a reason that she, and others her age, are kept in a secure military facility. But the best trick of the film, thanks in large part to Nanua’s winning performance, is the way its innovations go beyond just putting twists on a familiar genre and, instead, making us question where our sympathies ought to lie.
Green Room (2015)
Run Time: 95 min | IMDb: 7/10
When a punk rock group accidentally witnesses the aftermath of a murder, they are forced to fight for their lives by the owner of a Nazi bar (Patrick Stewart) and his team. It’s an extremely brutal and violent story, much like the first two features from director Jeremy Saulnier (Blue Ruin and Murder Party), but this one is made even tenser by its claustrophobic cat-and-cornered-mouse nature. Once the impending danger kicks in, it doesn’t let up until the very end, driven heavily by Stewart playing against type as a harsh, unforgiving, violent character.
Horns (2013)
Run Time: 120 min | IMDb: 6.5/10
This dark fantasy film starring Daniel Radcliffe and Juno Temple imagines a nightmare scenario. Radcliffe plays Ig, a young man whose girlfriend Merrin (Temple) mysteriously dies. The morning after her death, Ig wakes up with a set of horns that seem to grow as time goes on. It’s a story tinged with horror elements and a surprising twist at the end.
Cam (2018)
Run Time: 94 min | IMDb: 5.9/10
The Handmaid’s Tale actress Madeline Brewer stars in this unnerving thriller that questions our collective reliance on technology and imagines the nightmare scenario if that same tech decided to royally f*ck with us. Brewer plays Alice, an ambitious, in-demand cam girl making money with her online hustle until one day she logs on to find her channel has been sabotaged by a woman who looks just like her. It’s a trippy, dark ride through some of the bleakest parts of the internet with just enough horror to make things interesting.
Sleepy Hollow (1999)
Run Time: 105 min | IMDb: 7.3/10
Strange, spooky sh*t happens when Tim Burton and Johnny Depp team up and that fact remains true for this re-telling of a particularly haunting legend. Depp plays Ichabod Crane, a detective of sorts who’s sent to Sleepy Hollow to investigate three deaths by decapitation. What he ends up encountering instead is a malevolent specter known as The Headless Horseman who’s been terrorizing the town and now has his sights set on him.
Shutter (2004)
Run Time: 97 min | IMDb: 7.1/10
This Thai horror film follows a young man named Tun and his girlfriend, Jane, who accidentally run over a young woman after a party and are haunted by her spirit. Hauntings and horror go hand-in-hand, but this film digs deeper into the supernatural trope by revealing a surprising, gruesome connection between the woman’s ghost and the film’s protagonist. We won’t spoil anything here, but let’s just say there’s a reason this death follows this guy wherever he goes.
Malevolent (2018)
Run Time: 89 min | IMDb: 4.8/10
This supernatural horror flick isn’t the best-rated fright-fest on this list but it does feature a superb performance by Florence Pugh (before she got big) which makes it worth a watch. You’ll still come away terrified watching Pugh play one half of a brother-sister duo scamming people out of their money by pretending to commune with the dead, especially when she starts actually conversing with some pissed off spirits.
Hush (2016)
Run Time: 81 min | IMDb: 6.6/10
Mike Flanagan, who directed Oculus and Ouija: Origin of Evil, expertly directs this simple tale of a deaf woman being menaced by a masked (and later unmasked) killer in her remote home. This is nothing you haven’t seen before, but Flanagan brings real panache and visual energy to a film that could have easily felt redundant in the hands of a lesser filmmaker.
The Autopsy Of Jane Doe (2016)
Run Time: 86 min | IMDb: 6.8/10
Succession’s Brian Cox and Emile Hirsch star in this horror mystery about a father-son coroner team attempting to identify a Jane Doe who was harboring all kinds of dark secrets. When a corpse is brought into a small-town coroner’s lab, he and his son begin to experience supernatural phenomena. Tommy (Cox) and Austin (Hirsch) try to escape the lab but quickly realize that they’re dealing with something far more dangerous than a dead body while demonic spirits, old curses, and witches come to life.
Sweetheart (2019)
Run Time: 82 min | IMDb: 5.8/10
This survivalist horror story starring Kiersey Clemmons is more than it appears. Sure, the main story follows Clemmon’s Jennifer, a young woman stranded on a remote island after the boat she was partying on with her white, privileged friends, sinks and it contains monsters — both fantastical and extraordinarily human — but it also trades in allegories about emotional abuse, class warfare, and believing survivors. Basically, it’s a horror flick that packs a savvy metaphorical punch.
Gerald’s Game (2017)
Run Time: 103 min | IMDb: 6.7/10
Stephen King’s 1992 novel transpires mostly in one isolated lake house’s bedroom where its protagonist, Jessie, lies bound to a bed after her husband dies in the midst of a sex game. That makes it a tough story to film, which may explain why it took 25 years to get turned into a movie. But the wait was worth it: director Mike Flanagan delivers a resourceful, disturbing adaptation anchored by a great Carla Gugino performance (with some fine supporting work from Bruce Greenwood). Forced to find a way out of her situation, while confronting her own past, Gugino’s Jessie is made to go to extremes, which leads to, among other things, one of the squirmiest scenes in recent memory.
Under the Shadow (2016)
Run Time: 84 min | IMDb: 6.9/10
This Iranian horror flick manages to tie in relevant world events with a darker story of demonic possession. The film follows Shideh, a former medical student and mother trapped in her home during the bombings of Tehran with her daughter, Dorsa. The pair are soon haunted by a djinn, a malevolent spirit who can possess a human by taking what’s most important to them. For Dorsa, it’s her doll, for Shideh, it’s a medical textbook her dead mother gave her. The two fight to survive the bombs and this evil spirit, and you’ll be fighting to get to sleep after the nightmares from this one begin
Veronica (2017)
Run Time: 105 min | IMDb: 6.2/10
After losing her father, young Veronica (Sandra Escacena) and two classmates attempt to contact the other side with a Ouija board during a solar eclipse. Something more sinister breaks through, though, as Veronica is haunted by a dark presence everywhere she goes. Veronica excels phenomenally in the cliche horror bits every viewer has seen a thousand times over, such as mishandled Ouija use, frightening entities that only the protagonist is privy to, and twisted dreams. Based on a true story, the film relies on the strong performance of newcomer Escacena, highlighted by her haunting expressions of terror and anguish.
#Alive (2020)
Run Time: 98 min | IMDb: 6.2/10
This South Korean zombie flick imagines a very specific Millennial nightmare — a zombie apocalypse interrupting your video game live stream. The film follows Joon-woo, a kid who’s forced to barricade himself in his parents’ apartment when a zombie outbreak happens after his family goes on a grocery run. He survives hordes of the undead and a self-imposed quarantine by bonding with a neighbor in the building across the street. But both the living and the dead have some pretty gruesome plans for them so we wouldn’t count on a happy ending here.
The Evil Dead (1981)
Run Time: 85 min | IMDb: 7.5/10
This ’80s Sam Raimi creation launched the director’s career and has since become a cult classic. The story follows a group of college students vacationing in an isolated cabin in a remote wooded area when they find an audio tape that somehow releases a legion of demons and spirits. Most of the group suffer varying degrees of possession which leads to gory mayhem (hence the film’s NC-17 rating).
Creep (2014)
Run Time: 82 min | IMDb: 6.3/10
One of the better found-footage movies to come down the pike in Paranormal Activity‘s wake is this creepy gem about a videographer (director Patrick Brice) who answers a strange Craigslist ad from a man (Mark Duplass) who requests to be followed around with a camera for 24 hours. There are a few points late in the narrative where suspension of disbelief becomes an issue (a not-atypical problem for the genre), but if you can look past that, you’ll be treated to a very scary turn by Duplass and a supremely-unnerving epilogue.
Creep 2 (2017)
Run Time: 80 min | IMDb: 6.4/10
(Spoilers for Creep:) What could have very well been a stand-alone character exploration in 2014’s Creep is heightened in Creep 2, which sees Mark Duplass’ chameleon-like killer seeking a different kind of self-portrait. Burned out on his string of murders, Aaron reaches out to a woman who’s looking for her own kind of story by meeting and filming the lonely people she meets online. Instead of a wolf-in-sheep’s-clothing path the killer normally follows, he tells the woman what he is off-the-bat and what he wants: An ending to his journey. With all his cards (seemingly) on the table — and her hiding some of her own — it’s an even more fascinating tale than the original.
Eli (2019)
Run Time: 98 min | IMDb: 5.9/10
Netflix is running the market on creepy AF movies lately. This one comes in the form of a young kid suffering from a rare autoimmune disease that forces him to live life inside a bubble. When a new treatment option presents itself, his family sends him to a kind of safe house where specialist can test out the cure, but the boy quickly discovers things aren’t what they seem, that the mansion may in fact be haunted by past patients, and his doctors are probably trying to kill him. Yikes.
The Invitation (2016)
Run Time: 100 min | IMDb: 6.7/10
After back-to-back big studio bombs, Karyn Kusama returned to her scrappy indie roots with this contained, brilliantly suspenseful study of the darkness that can arise when people don’t allow themselves to feel. The Invitation isn’t a perfect film, but Kusama does a lot with the scant resources she had to play with here, and you have to appreciate her willingness to tackle grief so directly in a genre that tends to have little time for genuine human emotion.
The Bar (2017)
Run Time: 102 min | IMDb: 6.4/10
A varied group of people is stuck in a bar after a man is gunned down outside. As the paranoia spreads and they turn on one another, they discover a mysterious sickness could be the culprit. It’s a bottle-type plot that has been done before — locking a bunch of frenzied folks in a cage and let instincts take their course — but this Spanish horror comedy injects its own dark humor and keeps the answers to a minimum, making an entertaining story that unfortunately favors the “dark” over the “comedy” in its final act.
Poltergeist (1984)
Run Time: 114 min | IMDb: 7.4/10
Steven Spielberg and Tobe Hooper collaborate on this nightmare-inducing horror flick about a suburban family whose young daughter is kidnapped by malevolent spirits. Steven and Diane Freeling live a relatively normal life, taking care of their three children, the youngest of which begins conversing with a static television and issuing ominous warnings about ghosts. Steven and Diane hire a medium to figure out why their house is haunted and discover spirits are using the children’s bedroom closet to kidnap them and bring them to another dimension, forcing both parents to confront their own fears to save their family. It’s the ghost story that all other ghost stories are modeled after, and there’s nothing more terrifying than little blonde-headed girls that are possessed.
Apostle (2018)
Run Time: 130 min | IMDb: 6.3/10
A man (Legion‘s Dan Stevens) travels to an island to infiltrate a brutal cult in the hopes of saving his kidnapped sister. As the group’s leaders close in on discovering his identity, the dark secrets of the island start to present themselves. Written and directed by The Raid: Redemption director Gareth Evans, Apostle is a tense, beautifully shot thriller that doesn’t even seem like a horror film from the get-go. Stevens provides another icy, powerful performance alongside Michael Sheen’s turn as the leader of the harsh cult. It’s certainly a highlight among the Netflix original films.
Recent Changes Through October 2020:
Removed: Sinister, Insidious, Emelie, Devil’s Advocate, Paranormal Activity
Added: Eli, Cam, The Platform, Dark Skies, #Alive
from UPROXX https://uproxx.com/movies/best-horror-movies-on-netflix-films-now/
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